Elegy Owed Read online
Page 3
it’s over, who is late to tell you
he never loved you, also in the rain,
as wet as a goat in the rain or a statue
of rain in the rain, if there is one,
would have epaulets of rain in the rain
and be made of bronze or toffee, you are running
now in the rain, your version
of the human spirit, your very private instance
of converting sunlight when available
into vitamin D, for the energy
to believe we are more than energy, hoping
that you are wrong in the rain,
that it will never be over, as he
is hoping that he always loved you
in the rain, three blocks, two blocks, one block
to go and there he is, more lickable
than prophecy, like dew has taken human form
and put on a yellow shirt and shaved
in the rain, the rain so hard
you fuck in the rain and no one notices, the rain
fuck-shaped where you are fucking, an animal
with its mouth to your ear, and you
an animal with your mouth to its ear, everyone
on equal footing in the rain, the rain
speaking to your panting with its panting, the rain
washing away the rain
Born again
One day I was introduced to a bed
in which a woman was born, gave birth, and died.
The woman who introduced me to the bed
was the granddaughter of the woman
who was born in the bed and never lived
in another house.
Being a child of wind, I whispered
in the company of so much permanence.
The woman found my reverence ridiculous.
I knew this because she took off her clothes
and got on the bed as a way of asking me
to join her in making the bed a living bed.
It was in that bed that the woman told me
she tried to kill herself at seventeen.
Lots of Valium under a tree with horses nearby
ignoring her to eat.
This is my second life, she said, the one I got
for not knowing more about drugs, for being shy
when it came to my father’s shotgun
in my mouth.
By then, she’d lived a hundred years
in dog years beyond when she’d wanted to die.
When I told her this, she said, Woof.
The bed squeaked each time we turned
or breathed our bodies into each other.
I keep asking myself if this story is true.
I seem to believe it is, seem to admire time
and making love on top of musical springs
and the world every day for not killing itself,
not exploding or burning down
as it might reasonably want to.
And the woman?
I seem to know her or contain her or think
the valley in which I live
would resemble her if someone had the language
to convince it to rise and be a woman
wearing a flowered dress.
Women are more likely to wear gardens
than men, to be valleys, to hold time
in their bodies and take us
inside what is passing
as it passes, what is arriving
as we leave.
And the man?
I seem to be him or want him
to be the feeling that stars
would look down on us and ask
What are you going through
if only they had mouths.
Scarecrow overhears himself thinking
I love crows, so midnight at noon. Me,
a suit stuck on sticks
that no longer suits your life. As if this aways
who you are, your self-imposed
supposes: suppose this is it — this field,
this light? What does, anyway, fill you
if not sun up or down, if not harvest,
yield? We should switch, I’ll hop off
and gimp around, you’ll hang
among scavengers for company,
for keeps, your straw-thoughts pecked
by wind. Are you me alive or am I you
dead? I lied: I hold my arms wide
not to shoo but greet, to say
to plunder, Feel free, dig in.
Elegy’s
almost eulogy, is nearly dearly
beloved, I am un-gathered here
where you are not, I confess
I obsess, repeat myself to feel
this speaking’s more than the creaking
of a pew in an empty church, where
as a tyke, surrounded by an absence
I was priestly asked to think of
as love, I couldn’t wrap my mind
around such a zilch, whereas you
I touch and smell in the rough flesh
of memory, the word sonically
wants to be remember me, in my head
at least, you thrive some, you die some
daily in this weird-ass and misty mix
of ghost and gone, to which
I address what pretends to be
litany but is no more
evolved than this stuck
list: come back, come home
Desire
Having assumed it’s none of my business
that our cats sniff each other’s asses
while I prepare their breakfast, I turn now
to the window and resume the relationship
I’ve had with two horses who may be
two different horses since I fell in love
with shapes moving horse-like
in the distance eight years ago. I watched
one dusk in Michigan a horse mount
and conspire with another to make
yet a third, the mounted horse
completely not stopping eating
while the other quickly did his thing,
which resembled my thing in how it held on to
and cherished blood, as if for a while
it were a heart. I didn’t expect that thought
but there it is, the dick-heart, and weirdly,
when I put their food down, the cats usually
go look at birds, as if to remind themselves
what the real life is
and that it isn’t this one, though for me,
this has been completely authentic
from day one, such that if you gathered
all of my desires in a bag, I would marvel
at the size and hunger of the bag
and want that too, and we could talk
well into the night about how to slip the bag
holding everything into the bag
holding everything without dropping a thing,
like where else could you fit the sky
but the sky?
Take care
Nuclear missiles are rusting in their silo sleep,
gaskets are failing, firing mechanisms are going bad
but the engineers who designed them are retired
and records weren’t kept, we couldn’t make the missiles
today if we wanted to, and the thousands we have
might work if fired but might not, or leak, or go off
because they feel like it, Why are we talking
about anything else, I said to the waiter when he asked
if we had any questions. He cried and sat on one
of the two extra chairs at our table, one of the two spots
for emergency seating that were in our control,
then a second waiter came up and wondered aloud
if we were ready to order, I asked to hear
real silence, not the kind with my breath inside it,
my wife wanted the moon to ma
ke up its mind, to be full
or empty but nothing in between, our new friend
the first waiter wanted the second waiter
to make us take it all back, to tell him the missiles
were fine, that we knew how to repair death
on the magnificent scale of the atom. That’s the least
we can do, I told the second waiter, look at how
we’ve wounded his face, it suggests a painting
by Francis Bacon that’s been chewed on by a dog.
So we told our new friend the first waiter
that we were circus people, that we lie about everything —
there is no Strongest Man on Earth, The Lion Woman
has more ocelot in her than lion — he smiled, the world
had been healed, and he rose, and served his country
beautifully that night, bringing it sustenance
over and over on plates large enough to hold a human head.
Obituary for the middle class
This whole thing, this way of living beside a can opener
beside a microwave beside a son beside a daughter
beside a river going to college, you get up
and kiss the mortgage and go go go with coffee-veins
and burger-fries and pack your soul on ice
till sixty-five, when you sit down with a lake
and have a long talk with your breath
and cast your mind far away from shore, fish nibbling
the mosquitoes of your thoughts: they will whisper of this life
a hundred years from now to children before sleep
who will call them liars, “Once upon a time,
they had two and a half bathrooms and tiny houses
for their cars and doctors who listened
through tubes to their fat hearts, they named
their endeavors and beliefs four-wheel drive,
twenty-percent-off sale, summer vacation, colonoscopy,
variable-rate loan, inheritance,” and we will be
as gods to them in that they won’t believe in us,
and we will be spared the eternity of their worship
as they will be spared money, the counting
and the having and the memory of the middle share
of what gets harder and harder to call a pie
Song of the recital
for David
A man plays guitar beside the second-oldest river
is low in the world. That can change any minute. The Nile
is older than guitar, more Egyptian than the porch
is falling. A house from 1854, undulant floor, a train
goes by between the river is falling and guitar. A song
derived from the tango runs like a shudder through his hand
to the night is soft with the pliancy of bats. This one
javelins his voice at the stars have removed their veils.
This one lifts her anvil to the moon keeps to itself
but shines its diffidence upon the elms. A man
sets his guitar free on the river muttering homeless
to the north, fingerprints of music on the sandbar
I have been in various guises of my drowning.
Folding chairs applaud as grapes appreciate the chance
to live one hundred years as wine. A man plays a song
that is eternal as long as we’re here to listen
we might as well paint the river with our faces. The tango
shudders like a hand up the dress of how hard it is
to be what experts call “yourself.” If you set your breath
by the river, it’s always time to shine to go.
People keep flicking the porch-light on like they miss
the sun is doing meth on the other side of the world
if you ask me to stay I’ll stay receptive to the chance
we can strike the matches of each other’s heads
without burning the minutes down. Don’t take my word
for the juicy fragility of beauty: ask the baklava.
Leave a message
When the wind died, there was a moment of silence
for the wind. When the maple tree died, there was always a place
to find winter in its branches. When the roses died, I respected the privacy
of the vase. When the shoe factory died, I stopped listening
at the back door to the glossolalia of machines.
When the child died, the mother put a spoon in the blender.
When the child died, the father dug a hole in his thigh
and got in. When my dog died, I broke up with the woods.
When the fog lived, I went into the valley to be held
by water. The dead have no ears, no answering machines
that we know of, still we call.
Blue prints
Up and up, the mountain, but suddenly a flat spot
exactly the size of the house they would build,
and when they went to dig for the foundation, the foundation
appeared, just as the beams for the floor, as they started
to set them in place, revealed they had always been there,
it was like coming into the room to find your diary
writing itself, she told the interviewer, who wanted to talk
about her paintings but she kept coming back to the house,
including the sky above the house, how it resembled
her childhood, forgetting how to rain
when it wasn’t raining, remembering blue
just when she needed to be startled most, don’t you think
it odd that my life has always had just enough space
for my life, she asked the man’s recorder
as much as the man, hoping the recorder
would consider the question and get back to her, then you moved
to Madrid, the interviewer was saying, and started painting
your invisible landscapes, I remember the first window
we lifted into place, she replied, that the view of the valley
it would hold was already in the glass when we cut the cardboard box
away, we just lined them up, the premonition
with the day, he had twenty more questions
but crossed them off, I have always wanted to build a room
around a painting, he said, Yes, she replied, A painting
hanging in space, he added, A painting of a woman
adjusting a wall to suit a painting, she said, Like how the universe
began, he suggested, Did it begin, she wondered, is that
what this is?
What the great apes refer to as a philosophy of life
Looking for someone to mug, asking politely
Can I mug you, a kindly grammarian responds, May I mug you,
and hands me her purse, her child, her mortgage,
I have to feed the child and pay for the house, a small thing
like the smell of piss in the streets
makes me nostalgic for New York in ‘82, when everyone
was mugging everyone, it was more
like a cultural exchange or a kind of greeting, I’m worried
about the child’s standardized test scores,
about how I look carrying a purse, it’s not my color
and styles are always changing, just last week
I was looking for someone to kill, the week
before that, someone to scold me
for not being an intravenous drug user, these things,
God does these things like send us halfway out
on a rope bridge before telling us
He’s changed His mind about rope,
it shouldn’t exist, it’s not going to exist
any moment, like we are not going to exist
any moment, and I have never applauded a grape
in an alley, I have never put my hands around the face
of a stranger like a chal
ice, there’s so much to do
if I want to be fully human, not three-quarters
or half or sort of human, I have to hoist you
on my shoulders so you can jump over the wall,
I have to build the wall higher, I have to catch you
on the other side, I have to shoot you
for trying to escape, I have to call your mother
and tell her you won’t be coming home, I have to set
another place, I have to gather rain
into a body and make love with the rainbody
and teach the rainbody to moan and be taught
by the rainbody how to fall apart
into the most beautiful future reaching of grass
with its billion billion somnolent tongues
into the quiet applause of sunlight, into the pliant embrace
of air, may I mug you, may I kiss you,
may I sit with you on the veranda or build with you
such verandas as we need, such skies
as will hold the verandas in their arms, such martinis
as Plato never went on about or I’d read him
more often, sure the cave, sure the fire, sure the shadow,
sure we’re stuck, but a drink now and then
makes philosophy more bearable, in that it’s hard
to hold a drink in one hand and a book
in the other hand and a hand
in your other other hand, I choose the drink
and the hand hand over the drink
and the book hand, these are my priorities,
if they suit you, we can may share
The order of things
Then I stopped hearing from you. Then I thought
I was Beethoven’s cochlear implant. Then I listened
to deafness. Then I tacked a whisper
to the bulletin board. Then I liked dandelions
best in their Afro stage. Then a breeze